· Austria · 1984 · 4m

Ballett 16

Synopsis

256 frame enlargements of a continuous dance movement were dissected into 16 segments, each consisting of 16 frames. These segments were rearranged and rephotographed frame-by-frame. The resulting synthetic composition of movement was rephotographed off a screen running at twice its normal speed in order to accelerate the final film.

Key Collaborators
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Peter Tscherkassky directed Ballett 16. Explore their complete filmography and the collaborators who shaped their vision.

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