How to Look at a City
No poster
Eugene Raskin paints a word portrait of New York, as seen by lovers, adventurers, and the star-struck, against a background of jazz. He contrasts old neighborhoods with the bustle of the business world and discusses three fundamental standards used by architects and planners to judge the quality of a neighborhood - human scale, density, and variety.
George C. Stoney directed How to Look at a City. Explore their complete filmography and the collaborators who shaped their vision.
Agent-readable