P.R.A.T.E.R.
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With P.R.A.T.E.R. Schmidt turned his attention to the place where, once, the medium first came into existence (the Prater is P.R.A.T.E.R. is marked by a strongly repetitive flow. Schmidt's prime interest lies with people, their facial expressions and manner of looking. The film is in two parts; while the first acts as an exposé of the main themes, treatment and disintegration of these themes is intensified in the second part.
Ernst Schmidt Jr. directed P.R.A.T.E.R.. Explore their complete filmography and the collaborators who shaped their vision.
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