Retrato nº 2. Cuaderno de ensayos
The camera witnesses the preparation, the rehearsals of a play. It captures the faces, the space in which they meet, the voices. It is not about the show, but about the whole creative process that precedes it. Bodies that change, that transform, and that are observed through the gaze of the lens.
Chus Domínguez directed Retrato nº 2. Cuaderno de ensayos. Explore their complete filmography and the collaborators who shaped their vision.
Agent-readable