The Photographer
Le Photographe
A complement to the previous film (Numéro 4, 1989) : the fictional hero has the power to stop the projector, returning the cinema to its photographic origins, killing its motion. Having the unfortunate idea of taking his self-portrait, he finds himself caught in a photograph, condemned to live in the fleeting reality of the single frame.
Pip Chodorov directed The Photographer. Explore their complete filmography and the collaborators who shaped their vision.
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