We Come, We Go
On naît, on meurt
When Sarah’s father receives a terminal diagnosis, she hides behind her camera to preserve his presence forever. What begins as a desperate attempt to hold on to what is slipping away slowly unfolds into a tender portrait of their bond and a vulnerable reflection on her grieving process.
Sarah Lederman directed We Come, We Go. Explore their complete filmography and the collaborators who shaped their vision.
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